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Undertown, vol. 1 Hellboy Animated: The Judgment Bell Hellboy Animated: The Black Wedding Kim Possible: Badical Battles Kim Possible: Attack of the Killer Bebes Kim Possible: Killigan's Island Buffy the Vampire Slayer: The Death of Buffy Buffy the Vampire Slayer: Ugly Little Monsters Buffy the Vampire Slayer: False Memories Buffy the Vampire Slayer: Creatures of Habit Buffy the Vampire Slayer: Out of the Woodwork Five Shots and a Funeral By the Balls: A Bowling Alley Murder Mystery
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Sunday, May 22, 2005Back to Where It All Started
Those who know me know that I love to write in coffee shops/diners. I wrote almost every word of the Buffy novel Tom and I did (Creatures of Habit) at a family restaurant in Silver Lake.
It's funny. Even after Gabrielle and I got our lovely home in the hills (which feels like a perfect writer's retreat -- one of the most important things that made me realize it was the right house for us), and even though I have a perfectly secluded, retro UglyTown office (metal desks, baby!), I still feel the need to sit at a coffee counter to work. It all started many, many years ago when I first started college. I lived at home with my parents for the first two years, and that meant I needed to get out if I wanted to get anything done. I figured the bottomless cup of coffee would help me stay awake when translating Latin or reading Nietzsche -- both activities I remember well. Tonight, I went back to that family restaurant that I went to when I was a teenager. I had my laptop with me, and it made me think that the last time I came here to work, I'm not sure they had even invented laptops. (I'm only half-joking here.) Perhaps the weight of time brought with it fortune, because I cracked a rather important problem with the outline for my next novel. I used to really love (well, hell, I STILL love) reading back a page or a chapter that I feel I really nailed. But I've come to appreciate even more that raw moment when the flow of a story breaks open. When an outline reveals itself to be not a static skeleton, but something more alive. It's a Frankenstein moment to be sure; that moment when the story you are calling and calling and calling makes its first small step toward coming home.
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